A Best in Class Showcase / Bb Tuba B.C.

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This is a New York Bach model 34 with a rose brass bell. Stevens: Dances Telemann Fantasy: Mvt 1 (Grave) Mvt 2 (Vivace) Mvt 3 (Adagio) Mvt 4 (Allegro) Hindemith: Three Easy Pieces Moderately Fast Slow Lively Tomasi: To Be or Not to Be Wilder: Elegy for the Whale Reck: Five Studies Fay: Some Music Clarke: From the Shores of the Mighty Pacific Hand: Take One Take Two CD396: GRAVITY IS LIGHT TODAY. For all your brass instruments, accessories and brass-care necessities.

Pages: 24

Publisher: KJOS (1989)

ISBN: 0849784077

Aroldo (Overture): Tuba part (Qty 3) [A5007]

Our courses are run specifically for brass and percussion players, and focus on their particular requirements. Our brass tutors are outstanding brass players, who also possess a great aptitude for teaching all ages. They include Philippe Schartz (Principal Trumpet of the BBC National Orchestra of Wales), Paul Beniston (Principal Trumpet of the London Philharmonic Orchestra), Tom Rainer (Music Director of the Brass Academy and Director of Music at Aldro School), Christian Jones (Principal Bass Trombone of Opera North), Roger Argente (Principal Bass Trombone of the Royal Philharmonic Orchestra), Lyndon Meredith (Principal Trombone with the London Philharmonic Orchestra), Simon Morgan (horn player at The Lion King in London), Pete Smith (Principal Tuba of the Philharmonia Orchestra) and Dan Trodden (Principal Tuba of the BBC National Orchestra of Wales) , e.g. Tuba Blues amco-elektro.nl. This is the Benge 290, a really fabulous playing bass trombone that gets an undeserved poor reputation. Benge originally was a very high quality brass maker or trumpets back in the day� but has always been the black sheep to the Conn, King and Holton brands since it was acquired many years back and has been through many permutations of ownership with varying degrees of quality control over the years El sombrero de tres picos, Suite No.2 (Original orchestration – performance edition): Tuba part (Qty 2) [A8485] read pdf. Some large-diaphragm dynamic mics in cardioid mode will also work very well, particularly for trombone, trumpet and sax at distances of 2-4'. Ribbon microphones, which come in both dynamic and condenser flavors, are typically configured in a figure-of-8 polar pattern Symphony No.6, Op.60 (Critical download here http://blog.jarimartins.com/?books/symphony-no-6-op-60-critical-edition-tuba-part-a-6757.

Des Knaben Wunderhorn (Lob des hohen Verstandes, high voice (D major, original key)): Tuba part (Qty 4) [A5660]

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Norma (Act II, Coro: Guerra, guerra (War Chorus)): Tuba part (Qty 4) [A3417]

Karelia Suite, Op.11: Tuba part (Qty 3) [A2046]

Krönungs-Marsch, Op.183: Tuba part (Qty 4) [A6587]

Le villi: Tuba part [A4604]

Performance Favorites, Vol.1 - Tuba Correlates with Book 2 of the Essential Elements 2000 Band Method

W34BS - Bach and Before for Band - Tuba


Giovanna d'Arco (Act III, Finale: Un suon funereo): Tuba part (Qty 4) [A5068]

La forza del destino (Act II, Finale: Il santo nome di Dio; La Vergine degli angeli): Tuba part (Qty 4) [A3337]

Skillful Studies Tuba

Marches of America - Tuba Tuba

Tuba Concerto

Symphonisches Fragment aus 'Josephs-Legende', TrV 231a: Tuba part (Qty 2) [A8333]

Lemminkäinen's Return, Op.22 No.4: Tuba part (Qty 3) [A2052]

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